Hold up! We have a hottie on our hands. Annabelle Dexter-Jones is so strikingly good looking that she no doubt turns heads wherever she goes. She first started turning the heads of moviegoers after appearing in the short Wholey Moses in 2003. The luscious Londonite then took a nine-year break from cinema, returning in the 2012 rom-com Missed Connections. We missed out on erections because Annabelle stayed clothed in this film and her next one, the French freak-fest Holy Motors (2012), which has nudity but it’s not from Ms. Dexter-Jones. Unfortunately, that trend continued through The Gallerina (2012), And After All (2013), Pretty Girls (2013), Asthma (2013), The Nymphets (2013), At Home with Mystic (2015), Ava’s Possessions (2015), #Horror (2015), and the TV series Red Oaks (2016). Finally, Annabelle rang our bell via her role as Alexa in White Girl (2016). In one scene, she undresses in a red-lit room to bare her (appropriately) lily-white and bountiful breasts. Since then, Annabelle has looked appetizing in a large number of projects, which include the TV movie Prototype (2016), the short Cecile on the Phone (2017), the video short Phone Calls (2017), and the horror feature Ravage (2019). She’s also been in things that many Americans have probably heard of, like the Adam Sandler-led, Noah Baumbach-directed dramedy The Meyerowitz Stories (2017), the Andrew Garfield mystery Under the Silver Lake (2018), and the HBO series The Deuce and Succession. Mr. Skin hopes that Annabelle will land a whole bunch of nude roles in rapid succession.
